Reincarnation of myths as history and science an exploration of the use of mythology in select twenty first century Indian english fiction
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Farook College, University of Calicut
Abstract
Mythological fiction has always been an integral genre of Indian English literature. The
renarration and reinterpretation of myths in mythological fiction acquire more significance in the
post-truth era since myths form an integralpart of post-truth narratives in India. Myths hold
considerable emotional appeal, which renders them a pivotal component in the post-truth discourse.
They provide powerful narratives that shape collective beliefs and perceptions. Examining how the
select Indian English mythological fictions in the twenty-first century-the Shiva Trilogy (2010
2013) written by Amish Tripathi, The Krishna Key (2012) by Ashwin Sanghiand Asura: Tale of the
Vanquished- The Story of Ravana and His People (2011) by Anand Neelakantan-reflect the various
elements of the post-truth phenomenon, the thesis seeks to explore the intricate relationship between
mythological fiction and the broader post-truth discourse of the contemporary era. The framework
of euhemerism or historical interpretation of mythologyoffers a better insight into the analysis of
the reinterpretation of myths in the select texts, in the context of post-truth. The select works
attempt to interpret mythology historically, anthropomorphise mythological characters, and re -
narrate myths through a more rational lens, grounding them in a context that aligns with modern
historical and scientific sensibilities.
The study observes that the select works re-narate myths historically and further
anthropomnorphise divine or demon beings in myths as historical beings. They present myths as
historical records of the past by placing mythological stories into specific historical periods such as
the Indus Valley civilisation. By reinterpreting myths using scientific jargon, they also attempt to
rationalise supernatural beings, things and events in myths. Subsequently, aligning with the
prevalent post-truth narratives regarding the existence ofa golden past, the select novels reinterpret
myths as records of a bygone era of greatness, and scientific and technological achievements.
