Oman novel literature since 1950 an analytical study with special reference to Celestial Bodies of Jokha Alharthi
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MES Mampad College, University of Calicut
Abstract
The Omani novel has witnessed remarkable development in both quantity and
quality in the twenty-first century, securing a significant place in the Arab
literary scene. Among its most notable achievements is the Arabic Booker Prize:
The Omani novel won the International Prize for Arabic Fiction in 2019 with
Jokha Alharthi's novel Celestial Bodies, the first novel from the Gulf to win this
award. The novel has also been translated into several international languages.
Other Omani novels have made it to the longlists and shortlists of prestigious
Arab awards, such as the Sheikh Zayed Award and the Katara Prize. Alongside
Jokha Alharthi, names such as Huda Hamad, Zahran Al-Qasimi, Badriya Al-
Shehhi, and Mohammed Al-Shuaili have emerged, offering powerful texts that
are diverse in style and subject matter. The Omani novel has addressed several
important issues, including identity, women, forgotten Omani history, social and
political transformations, literary experimentation, modernity, and the
relationship between the past and the present. Omani works have been translated
into languages such as English, French, German, and Spanish, contributing to
Omani literature reaching a global readership.
Jokha Alharthi is a prominent Omani writer and academic, born in 1978. She is
considered one of the most prominent figures in contemporary Omani and Arab
literature. She earned a PhD in classical Arabic literature from the University of
Edinburgh in the United Kingdom and works as a professor of literature at
Sultan Qaboos University. She began writing at an early age and has published
short story collections such as ‘Naranja’. Her most notable work is her novel
‘Sayyidathul Qamar’ (2010). It was translated into English as Celestial Bodies
and won the Man Booker International Prize in 2019, making her the first Arab
writer to win this award. Her other works include the novel "Naranja" (2016),
the novel ‘Hareer Gazelle' (2021), and a collection of short stories and critical
studies. Jokha Alharthi's literature is distinguished by its in-depth portrayal of
Omani society, particularly from the perspective of women, and its treatment of
themes such as tradition, identity, and social transformation.Celestial Bodies revolves around the lives of three Omani sisters—Mia, Asma,
and Khawla—and through them conveys a multi-dimensional portrait of post-
colonial Omani society, where social, political, and cultural transformations
intersect with personal and family stories. The novel delves into women's issues,
highlighting the internal conflicts experienced by female characters between
tradition and modernity, and between individual ambition and social constraints.
It also addresses the effects of past slavery and the impact of economic and
cultural transformations on family and societal structures. Told in poetic
language and a narrative intertwined between time periods, the author weaves a
literary fabric that reflects the complexities and transformations of Omani
identity, leading the novel to win the Man Booker International Prize in 2019
and becoming a landmark in contemporary Arab feminist literature.
This research aims to discover the diverse literary features in the novel
‘Celestial Bodies’ which represent the elevation and development resulting from
Omani novels in the modern era, by shedding light on the history of the
development of the novel in the Sultanate of Oman and its characteristics. The
research delved into various social issues faced by Omani society throughout the
ages.
The researcher analyzed some of the novel's structures and dimensions
deconstructed the narrative techniques it contained, and expanded the worlds of
the characters, their characteristics, and their interactions with certain events.
The research analyzes linguistic elements from various perspectives. The
researcher relied in this study on the descriptive analytical approach to complete
this task through four chapters and twenty-three sections.
