Appropriating the Ramayana a critical reading of the twentieth century political discourses
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Zamorins Guruvayurappan College, University of Calicut
Abstract
The Ramayana has significantly influenced Indian politics in the twentieth
century. Going beyond the level of a mythical story, the Ramayana became an
influential force in reshaping the country's culture and politics. This Ph.D thesis
titled “Appropriating the Ramayana: A Critical Reading of the Twentieth
Century Political Discourses” explores how the Ramayana was politically
appropriated in twentieth-century India. The Ramayana, originally evolved from a
myth and was spread by travelling bards, was transformed into a revered text and
eventually used as a tool for political influence.
Contrary to the idea that Valmiki's Ramayana is the only valid version, this
research advocates recognising the legitimacy of different renditions found across
India. The main goal is to uncover how the Ramayana was used politically in the
twentieth century. The study examines the roles of renowned political leaders like
Mahatma Gandhi, Periyar E.V. Ramasami and organisations of hindutva ideology in
shaping this political discourse.
Gandhi used the Ramayana to mobilise Hindus for India's freedom, while
Periyar criticised the Ramayana as it reinforced caste hierarchies. Hindutva
ideology's political use led to communal tensions, the Ayodhya dispute and efforts
to make India a Hindurashtra. This research uses a comprehensive approach,
analysing speeches, interviews and documents to understand the Ramayana‘s
political journey. It combines perspectives from history and sociology to offer a
complete picture. In conclusion, the study finds that hindutva forces strategically
used nationalism by appropriating the Ramayana.Unlike inclusive nationalism during the nation's independence, hindutva
framed it as Hindu consciousness. Through the strategic use of the Ramayana to
promote exclusive Hindu nationalism, hindutva groups accomplished political
objectives such as the construction of a new Rama Temple in Ayodhya. Portraying
Rama as a national hero, they endorse hindutva's vision for the nation establishing
influence among the majority Hindu population. Hindutva utilises the nation's
culture as a backdrop to wield nationalism as a weapon, creating cultural
nationalism, which divides people along ethnic lines and threatens national
harmony.
This Hindu nationalism proclaimed in hindutva's fundamental texts, poses a
significant danger. Mere secular and democratic principles are insufficient to combat
this peril. Given hindutva's fascist nature and its manipulation of culture, resistance
must also engage with cultural narratives. Political discourse should shift from mere
nationalism to encompass culture, acknowledging ancient India's inclusive and
diverse cultural heritage. Thus, when nationalism becomes a menace, resolution
involves utilising the cultural foundation of the nation.
